qui est en rapport avec - meaning and definition. What is qui est en rapport avec
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What (who) is qui est en rapport avec - definition

BOOK BY VINTILA HORIA
Dieu est ne en exil; Dieu est né en exil

Est en Opijnen         
  • Coat of Arms of Est en Opijnen
FORMER MUNICIPALITY IN GELDERLAND, THE NETHERLANDS
Est en opijnen
Est en Opijnen is a former municipality in the Dutch province of Gelderland. It existed until 1978, when it was merged with Neerijnen.
Très honorable avec félicitations         
Tres honorable avec felicitations
Très honorable avec félicitations du jury, meaning "Very Honorable, with Committee Praise", was the highest academic distinction awarded in the French academic university system.
Eugeniu Ștefănescu-Est         
ROMANIAN POET AND PROSE WRITER
Eugeniu Stefanescu-Est; Eugeniu Stefanescu Est; Eugeniu Ștefănescu Est; Eugeniu Ștefănescu; Eugeniu Stefanescu; Eugeniu Ştefănescu-Est; Eugeniu Ştefănescu Est
Eugeniu Ștefănescu-Est (also known as Eugen Ștefănescu-Est or Eugeniu Est, born Eugeniu Gh. Ștefănescu; – March 12, 1980) was a Romanian poet, prose writer and visual artist, professionally active as a lawyer.

Wikipedia

God Was Born in Exile

God Was Born in Exile (French: Dieu est né en exil) is a novel by Romanian author Vintilă Horia, for which he was awarded the Prix Goncourt in 1960, though he was never handed the prize following allegations that surfaced after his nomination that he had once been a member of the Iron Guard.

The novel's narrator is Ovid, the Roman poet, and this apocryphal work is rather similar to Marguerite Yourcenar's Mémoires d'Hadrien in which Yourcenar writes the Roman emperor Hadrian's mémoires.

In God Was Born in Exile, "Ovid" covers the last eight years of his life, when he was exiled to Tomis, an Ancient Roman colony in Scythia Minor. This novel adopts the form of a diary, divided into eight chapters (each of which corresponds to a year of exile) that reveal the steps of a progressive "maturation," or a conversion of sorts.

The novel's universe is linked together around a primordial axis whose two poles are Roman society and the Dacian world, respectively. This dichotomy generates a rich range of metaphors, but perhaps this novel's most important attribute is the way in which both worlds are constructed, and their importance as "chronotopes" in the narrative. Ovid's spiritual journey resolves itself between both symbolic universes whose antagonistic characters become interwoven during a chiasm, in order to rise up again at the end of the radically metamorphized narration.